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visions of johanna - bob dylan We sit here stranded, though we're all doin' our best to deny it And Louise holds a handful of rain, temptin' you to defy it But Mona Lisa musta had the highway blues Bob Dylan Highway Five Love Poemfrom Dear Good Naked MorningRuth L. Schwartzfor Anna This is a love poem for all the tomatoesspread out in the fields along Highway Five,their gleaming green and ruddy faces like a thousandmoons prostrate in praise of sun.And for every curd of cloud,clotted cream of cloud spooned brisklyby an unseen hand into the great blue bowl,then out again, into a greedy mouth.Cotton baled up beside the road,altars to the patron saint of dryer lint.Moist fudge of freshly-planted dirt.Shaggy neglected savage grassesbent into the wind's designs.Sheep scattered over the landscape like fuzzy confetti,or herded into stubbled funnels, moving like rough watertoward its secret source.Egrets praying in the fields likewhite-cloaked priests.A dozen wise and ponderous cowssuddenly spurred to run, to gallop, even,down a flank of hill.Horses for sale, goats for sale, nopales for sale, orange groves for sale, topless trailers carrying horses,manes as loose and lovely as tomorrow in our mouths,and now a giant pig, jostling majestic in the openbed of a red pickup. Ain't it just like the night to play tricks when you're tryin' to be so quiet?We sit here stranded, though we're all doin' our best to deny itAnd Louise holds a handful of rain, temptin' you to defy itLights flicker from the opposite loftIn this room the heat pipes just coughThe country music station plays softBut there's nothing, really nothing to turn offJust Louise and her lover so entwinedAnd these visions of Johanna that conquer my mindIn the empty lot where the ladies play blindman's bluff with the key chainAnd the all-night girls they whisper of escapades out on the "D" trainWe can hear the night watchman click his flashlightAsk himself if it's him or them that's really insaneLouise, she's all right, she's just nearShe's delicate and seems like the mirrorBut she just makes it all too concise and too clearThat Johanna's not hereThe ghost of 'lectricity howls in the bones of her faceWhere these visions of Johanna have now taken my placeNow, little boy lost, he takes himself so seriouslyHe brags of his misery, he likes to live dangerouslyAnd when bringing her name upHe speaks of a farewell kiss to meHe's sure got a lotta gall to be so useless and allMuttering small talk at the wall while I'm in the hallHow can I explain?Oh, it's so hard to get onAnd these visions of Johanna, they kept me up past the dawnInside the museums, Infinity goes up on trialVoices echo this is what salvation must be like after a whileBut Mona Lisa musta had the highway bluesYou can tell by the way she smilesSee the primitive wallflower freezeWhen the jelly-faced women all sneezeHear the one with the mustache say, "JeezeI can't find my knees"Oh, jewels and binoculars hang from the head of the muleBut these visions of Johanna, they make it all seem so cruelThe peddler now speaks to the countess who's pretending to care for himSayin', "Name me someone that's not a parasite and I'll go out and say a prayer for him"But like Louise always says"Ya can't look at much, can ya man?"As she, herself, prepares for himAnd Madonna, she still has not showedWe see this empty cage now corrodeWhere her cape of the stage onc e had flowedThe fiddler, he now steps to the roadHe writes ev'rything's been returned which was owedOn the back of the fish truck that loadsWhile my conscience explodesThe harmonicas play the skeleton keys and the rainAnd these visions of Johanna are now all that remain 네버마인드~
We sit here stranded, though we're all doin' our best to deny it And Louise holds a handful of rain, temptin' you to defy it But Mona Lisa musta had the highway blues Bob Dylan Highway Five Love Poemfrom Dear Good Naked MorningRuth L. Schwartzfor Anna This is a love poem for all the tomatoesspread out in the fields along Highway Five,their gleaming green and ruddy faces like a thousandmoons prostrate in praise of sun.And for every curd of cloud,clotted cream of cloud spooned brisklyby an unseen hand into the great blue bowl,then out again, into a greedy mouth.Cotton baled up beside the road,altars to the patron saint of dryer lint.Moist fudge of freshly-planted dirt.Shaggy neglected savage grassesbent into the wind's designs.Sheep scattered over the landscape like fuzzy confetti,or herded into stubbled funnels, moving like rough watertoward its secret source.Egrets praying in the fields likewhite-cloaked priests.A dozen wise and ponderous cowssuddenly spurred to run, to gallop, even,down a flank of hill.Horses for sale, goats for sale, nopales for sale, orange groves for sale, topless trailers carrying horses,manes as loose and lovely as tomorrow in our mouths,and now a giant pig, jostling majestic in the openbed of a red pickup. Ain't it just like the night to play tricks when you're tryin' to be so quiet?We sit here stranded, though we're all doin' our best to deny itAnd Louise holds a handful of rain, temptin' you to defy itLights flicker from the opposite loftIn this room the heat pipes just coughThe country music station plays softBut there's nothing, really nothing to turn offJust Louise and her lover so entwinedAnd these visions of Johanna that conquer my mindIn the empty lot where the ladies play blindman's bluff with the key chainAnd the all-night girls they whisper of escapades out on the "D" trainWe can hear the night watchman click his flashlightAsk himself if it's him or them that's really insaneLouise, she's all right, she's just nearShe's delicate and seems like the mirrorBut she just makes it all too concise and too clearThat Johanna's not hereThe ghost of 'lectricity howls in the bones of her faceWhere these visions of Johanna have now taken my placeNow, little boy lost, he takes himself so seriouslyHe brags of his misery, he likes to live dangerouslyAnd when bringing her name upHe speaks of a farewell kiss to meHe's sure got a lotta gall to be so useless and allMuttering small talk at the wall while I'm in the hallHow can I explain?Oh, it's so hard to get onAnd these visions of Johanna, they kept me up past the dawnInside the museums, Infinity goes up on trialVoices echo this is what salvation must be like after a whileBut Mona Lisa musta had the highway bluesYou can tell by the way she smilesSee the primitive wallflower freezeWhen the jelly-faced women all sneezeHear the one with the mustache say, "JeezeI can't find my knees"Oh, jewels and binoculars hang from the head of the muleBut these visions of Johanna, they make it all seem so cruelThe peddler now speaks to the countess who's pretending to care for himSayin', "Name me someone that's not a parasite and I'll go out and say a prayer for him"But like Louise always says"Ya can't look at much, can ya man?"As she, herself, prepares for himAnd Madonna, she still has not showedWe see this empty cage now corrodeWhere her cape of the stage onc e had flowedThe fiddler, he now steps to the roadHe writes ev'rything's been returned which was owedOn the back of the fish truck that loadsWhile my conscience explodesThe harmonicas play the skeleton keys and the rainAnd these visions of Johanna are now all that remain
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